![]() We want to provide easy to read articles that answer your questions about the meaning, origin, and history of specific verses within Scripture's context. This article is part of our larger resource library of popular Bible verse phrases and quotes. Photo credit: iStock/Getty Images Plus/kwasny221 Trump Cites Favorite Bible Verse: Eye for an EyeĪn Eye for an Eye: Basic Biblical Interpretation "Eye for an eye" is a principle that is worth appreciating and understanding for its historic significance, arising from the wisdom of God. For examples of this, check out an article from Ranker about Real, Horrifying Punishments in Other Countries. Even today, there are places in the world in which the punishment does not correspond reasonably to the crime. What may be surprising about this judicial precept, although many would now consider it common sense, is that not all countries use it. "Eye for an eye," has literally influenced the appropriate penalty decisions of millions of legal cases over thousands of years, and rightfully so. Our modern court systems still abide by this guiding precept when determining a judicial penalty. The significance of this principle is the sheer longevity of its relevance. What is the Significance of "Eye for an Eye?" ![]() Instead, He is delegating the responsibility of the civil authority (to penalize criminals rightfully) from the responsibility we all have in a personal context to love our neighbors and enemies. Jesus is not revoking the Old Testament decree of "Eye for an eye" ( Matthew 5:17). ![]() Give to the one who asks you, and do not turn away from the one who wants to borrow from you” ( Matthew 5:38-42). If anyone forces you to go one mile, go with them two miles. And if anyone wants to sue you and take your shirt, hand over your coat as well. If anyone slaps you on the right cheek, turn to them the other cheek also. “An eye for an eye” was thus intended to be a guiding ethic for legislators and judges it was not meant to advocate personal vengeance.įurthermore, Jesus condemns the practice of personal retaliation in the Sermon on the Mount saying, “You have heard that it was said, ‘Eye for eye, and tooth for tooth.’ But I tell you do not resist an evil person. The one who has inflicted the injury must suffer the same injury."įor both passages, the phrase is used in the circumstance of a court case before a civil authority such as a judge. Its meaning in the Bible was simply, the punishment or sentencing should equally match the crime.įrom scripture, Exodus 21:23-25 states, "But if there is harm, then you shall pay life for life, eye for eye, tooth for tooth, hand for hand, foot for foot, burn for burn, wound for wound, stripe for stripe." Leviticus 24:19-21 echoes this assertion, "Anyone who injures their neighbor is to be injured in the same manner: fracture for fracture, eye for eye, tooth for tooth. It is also referenced in the Sermon on the Mount by Jesus, found in the New Testament. "Eye for an Eye" originates from the Code of Hammurabi and is found in the Old Testament books of Exodus and Leviticus. What Does " Eye for an Eye" Mean in the Bible?
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You can swipe through commercial, ABC, SBS and DAB+ digital radio stations from across Australia. * CHANGING STATIONS IS SUPER QUICK - just swipe and press play to change stations. * AS EASY AS LISTENING IN YOUR CAR – quickly set up your favourites and get them every time you open the app. New stations are being added all the time. * SO MANY AUSTRALIAN RADIO STATIONS - listen to live streams of local radio, news, music, talk, sport and much more. Find local stations near you and around Australia. RadioApp has over 350 Australian radio stations in one very easy to use app. The easiest way to listen to Australian radio on your smartphone. More control over the radio station you can control RadioApp via your phone’s lock screen or Bluetooth speaker Android Auto support you can listen using your car’s speakers or with Bluetooth speakers Picking your favourites is easy simply allow RadioApp to access your location or enter in your postcode Change stations is super quick just swipe and press play to change stations Quickly set up your favourites and get them every time you open the app Find local stations near you and around Australia Over 350 Australian radio stations in one very easy to use app You can also change stations by simply swiping through commercial, ABC, SBS, and DAB digital radio stations from across Australia. Just swipe and press play to change stations. RadioApp allows you to quickly set up your favourites and get them every time you open the app. ![]() You can find local stations near you and around Australia. ![]() The app has over 350 Australian radio stations in one very easy to use app. RadioApp is an app that allows users to listen to Australian radio stations on their smartphone. ↑ This happens when you don't bring the cheese back to the hole and survive to the end of a round.īy bringing cheese to the hole, you obtain cheese as a currency in the shop, as well as increasing the "Gathered cheese" stat on your profile.↑ This also happens when you used /mort while AFK.If you are having any issues, shoot us an email, Contact MPGH Support. Ads are removed, almost completely ad free browsing. ![]()
The restaurant has a sleek and modern design, as well as a seasonal menu. Momofuku, which means “lucky peach” in Japanese, is inspired by the invention of instant ramen by Momofuku Ando. The Momofuku Ko restaurant in Tokyo pays homage to its predecessors by incorporating contemporary Japanese cuisine. Momofuku Ko has been awarded two Michelin stars for more than a century, demonstrating its quality and place in the world of fine dining. Momofuku Ko was awarded two Michelin stars by New York Magazine, which many people were surprised to learn was a relatively new restaurant that opened nearly a decade ago. Momofuku Ko: A Modern Japanese Restaurant That Pays Homage To Its Predecessors Following the Coronavirus pandemic, Nishi and CCDC closed their doors, resulting in the opening of Momofuku outlets, which now number 14 restaurants in total. Does David Chang Still Own Momofuku?Ĭhang owns or operates 16 restaurants, which include fine-dining restaurants, bars, takeout restaurants, and two multi-city chains. What’s The Verdict On Milk Bars?Īre dairy products vegan? At the moment, we do not sell vegan treats our treats are made from dairy and eggs. In our products, we guarantee that they are vegan. There are no animal products in this product. The crunch comes from the sugar and salt, and the oil adds a bit of richness. The ingredients are: chili, sugar, salt, and oil. What Is The Crunch In Chili Crunch?Ĭredit: Yes, Momofuku chili crunch is vegan. There are no specific orders for these four recipes, but I recommend using Momofuku Chili Crunch in them. I mentioned previously that the extra spicy version of this is available, and I can’t believe how hot that is! You should be aware that that will be too much for me, but again, know who you’re cooking for. If you’re sure your guests enjoy cooking, add more heat to the dishes. Heat the product sparingly, and serve it on the side when you need to. I measured this product several times to determine how much I used. The Momofuku Chili Crunch is made with shallots and crunchy garlic. ![]() Serve immediately, or store in a sealed container in the fridge for up to 1 week. Add the water and simmer until the sauce is thickened, about 5 minutes. Add the onion, garlic, ginger, red pepper flakes, sugar, salt, and black pepper, and cook until the vegetables are soft, about 5 minutes. Add the rice flour and stir constantly until the mixture is golden brown and slightly toasted, about 5 minutes. Heat the oil in a large skillet over medium heat. This crunchy, spicy, and slightly sweet topping is the perfect addition to any dish, and luckily, it’s easy to make at home! Here’s how: Ingredients: 1 cup vegetable oil 1 cup rice flour 1/2 cup chopped onion 1/4 cup chopped garlic 1/4 cup chopped ginger 2 tablespoons red pepper flakes 1 tablespoon sugar 1 tablespoon salt 1 teaspoon black pepper 1/2 cup water Instructions: 1. If you’re a fan of the popular restaurant Momofuku, then you’re likely familiar with their delicious chili crunch topping. ![]() Moreover, we review a novel approach to target the signaling lipid, PIP3, and deplete intracellular levels of this phosphoinositol using a chimeric toxin composed of the Fc?RI binding region of IgE and the active subunit of the cytolethal distending toxin, CdtB, which we have recently demonstrated to function as a PIP3 phosphatase. In this article we review approaches that have been taken to regulate the PI-3K pathway in mast cells. We propose that PIP3 represents a potent target for developing therapeutic approaches to down regulate mast cell function and, in turn, reduce the severity of mast cell dependent disease. PIP3 has broad effects on mast cell signaling and function as well as on proliferation and survival. A pivotal component of this cascade is the activation of phosphatidylinositol-3-kinase (PI-3K) leading to a rise in intracellular levels of phosphatidylinositol 3,4,5-trisphosphate (PIP3). In this context, the PI-3K/PIP3/Akt pathway represents a potent target for pharmacologic intervention in mast cell-mediated inflammatory disorders. More recently, the goal for rationally designed pharmacotherapy has shifted focus to targeting and disrupting signaling pathways leading to inhibition of specific cell function(s). The most aggressive efforts in regulating mast cell function have focused on selectively inhibiting cell activation and subsequent mediator synthesis and release, or alternatively, blocking the action of proinflammatory mediators in order to prevent or reduce disease severity. Shenker, Hydar Ali and Kathleen Boesze-BattagliaĪbstract: It is well established that mast cells play a key regulatory role in allergy and inflammation involving engagement of antigen with IgE bound to high-affinity IgE receptors (Fc?RI). Title: PIP3 Regulation as Promising Targeted Therapy of Mast-Cell-Mediated DiseasesĪuthor(s): Bruce J. Keywords: Glycerophosphates, phosphatidic acids, glycerosphingolipids, phosphatidylinositols, cytolethal distending toxin, pharmacology, bacterial toxins, Gram-negative pathogens, cytokines, chemokines It is well established that mast cells play a key regulatory role in allergy and inflammation involving engagement of antigen with IgE bound to high-affinity IgE receptors (Fc?RI). ![]() Thursday, Joey Bada$$ dropped another mixtape this year, called Rejex. Then he dropped his debut mixtape, 1999, which is easily one of the best mixtapes released so far this year. First he dropped the video and song Survival Tactics, which is a pretty aggressive, ominous track. His refreshing style, which revitalizes that late 90s Hip-Hop from the Wu-Tang era, has captured the Hip-Hop community by storm. In 2015 he was arrested in Australia, for breaking a security guard’s nose before a concert – he was fined and released.ĭecember 23, 2012, Manhattan, New York City, New York, United StatesīMI R&B/Hip-Hop Awards - Social star (2016)Ĭinematic Music Group, Trap City Recordings, Pro Era Records, Relentless Records Moving on to his personal life, Joey tends to keep his most intimate details hidden from the public eyes, therefore, no reliable information is available in the media about this young rapper’s private affairs. Robot” (2016-2017), as Leon, which also contributed to his net worth. Joey also launched his acting career, and has so far appeared in the TV series “Mr. The album has sold more than 85,000 copies, somewhat less than his debut release, but it still added a considerable amount to his net worth. 2 on the US R&B/Hip-Hop Albums and US Rap Albums chart. 5 on the US Billboard 200 chart, while it peaked at No. In 2016, Joey began working on his second studio album “All-Amerikkan Bada$$”, which came out in the April and it reached No. Joey has started promoting the album, and still worked with other musicians, such as Korean Tablo on the song “Hood”, while he also worked with the indie rock band Glass Animals on the song “Lose Control”, which also added to his wealth. He then started working on his debut album “B4.DA.$$”, which came out in January 2015, and topped the US Independent Albums and US Top R&B/Hip-Hop Albums charts, and so far has sold more than 225,000 copies, which has only added considerably to his wealth. Joey became more popular, as evidenced by new collaborations, and it was in 2013 that Joey made a breakthrough to the mainstream with the EP “Summer Knights”. Since inception, the rappers have also launched their own respective careers, including Joey, whose debut release was his mixtape “1999” in 2012, followed by another mixtape “Rejex”, which brought him popularity and a chance to collaborate with other musicians of the underground rap scene, including Mac Miller. The collective released three mixtapes over the years, while they were working on their debut studio album. While in high school, Joey started the Pro Era, a hip-hop collective comprised of several other rappers, including Kirk Knight, CJ Fly, Nyck Caution, Dessy Hinds, Rokamouth, and many others. His songwriting has begun when he was only 11 years, and since then has only honed his skills. Soon after matriculation, Joey launched his musical career, but used stage name JayOhVee, though he later changed it to Joey Bada$$, due to higher media attention on rappers with cynical names. Murrow High school, where he first studied acting, but as he got older changed his field of studies to music, with a focus on rapping. Of Carribean descent from his mother’s side, and specifically Jamaican through his father, Joey was raised in Brooklyn, and went to Edward R. Have you ever wondered how rich Joey Bada$$ is, as of late 2017? According to authoritative sources, the size of this young rapper’s wealth amounts to more than $4 million, earned through his successful music career, active since 2010. He continued his rise with his self-titled debut album in 2015, and only cemented his place at the top of the rap scene with his second album – “All-Amerikkkan Bada$$” – in 2017. ![]() Born Jo-Vaughn Virginie Scott on the 20th January 1995, in Brooklyn, New York City USA, he is a rapper who goes under the name Joey Bada$$, and came to prominence through his mixtape “1999”. ![]() ![]() When he appeared as a member of Immortus' Legion, Toro claimed he had been the actual Human Torch that had been summoned by Kang, although this conflicts with the display of knowledge on the Vision's synthezoid design that the Torch shared.One character, Iron Man 2020, was not only not deceased at the time of inclusion, hadn't even technically been born yet. Some, as with Bucky Barnes and Count Nefaria, were found later to not have been dead, while others returned to life as in the cases of Terrax, Dracula, and Drax the Destroyer. The lineups of the Legion have been the subject of debate, since not all of the characters listed as dead have actually been deceased at the time of their inclusion, or stayed deceased. ![]() This time, Immortus had the Legionnaires vanish once he felt they were no longer necessary, perhaps too soon as he was ultimately defeated and suffered the fate he had intended for the Witch. This group was mostly meant as a distraction to keep the Avengers busy while Immortus concentrated on his intentions to transform the Scarlet Witch into a living power conduit by which to increase his control over time, and were believed all to be simulacra so many of the present heroes resorted to lethal tactics to defeat them. Wishing to use deceased enemies of the assembled Avengers, Immortus called upon the villainous modern Black Knight, the Grim Reaper, Iron Man 2020, the Left-Winger and Right-Winger, Oort the Living Comet, the Swordsman, and the original Torch's old sidekick, Toro. Immortus would later create his own team, by then the third iteration of the Legion of the Unliving, in Limbo to face off against the West Coast Avengers. Restoring all participants back to their original state, Immortus had the Avengers stay behind to explore the shared natures of the Torch and the Vision while the Legionnaires were returned to their origin points to face their respective destinies. Despite deaths on both sides of the conflict, the Legion was defeated and Kang fled back into the void of time to escape capture, leaving Immortus free to regain control of Limbo. Dubbing this group of people the Legion of the Unliving, as they were all at least supposedly dead by the time he choice to attack his enemies, Kang had them fight against the Avengers, who were also brought to Limbo. Entrapping both of them, Kang used Immortus' devices in conjunction with the mercurial nature of the realm of Limbo to pull super-powered beings out of time shortly before their destined deaths Baron Zemo, the Frankenstein Monster, Midnight, the Flying Dutchman's Ghost, the original Human Torch, and Wonder Man. The first Legion was created by Kang after he and yet another of his alternate selves, Rama-Tut, was rescued from the void of time by Immortus. The group would later be recreated by the Grandmaster, and later by the Grim Reaper. They extracted beings from their home time periods or they resurrected them, intending for their presence to poise a psychological offensive either due to their emotional ties to their opponents or simply the suggested supernatural nature of their existence. The Legion of the Unliving was initially formed by Kang the Conqueror and his alternate self, Immortus. Carioca de nascimento, Bolão incorpora na alma o próprio espírito do Rio e, como conseqüência natural disso, é um profundo conhecedor da música e dos ritmos de sua cidade. Tive a alegria de conhecer Oscar Bolão quando, juntos, estudamos percussão sinfônica com Luis Anunciação. My dear friend Oscar Bolão, with this book, has given us clear and upto -date information on these rhythnis. O meu querido amigo Oscar Bolão, através deste trabalho, contribui para g ue tenhamos uma informação clara e atualizada desses ritmos.īrazil is a country iTnmensely rich in rhythnis and, at the same time, extremely poor in specialized literature. O Brasil é um país imensamente rico em ritmos e, ao mesmo tempo, extremamente pobre em literatura especializada. To my friend Dazinho, who taught me much about art and life. To my father Annibal, to my mother Marily, to niy brother Amilca1~ and to my nanny Elvira who helped me learn. Ao meu amigo Dazinho, que me ensinou muito na arte e na vida. Gonçalves Tradução do texto / English version: Larry Crook Fotografia / Photographer: Rodrigo Lopes Fotos de pesquisa/ Research photos: Biblioteca Nacional - Divisão de Música e Arquivo Sonoro Biblioteca Nacional - Division of Music and Sound Archives Mixagem e masterização do CD/ CD mixed and mastered by: Carlos Fuchs - Estúdio Tenda da Raposa - RJ Coordenação de produção / Production coordination: Anna Paula Lemos/ Márcia BortolottoĪo meu pai Annibal, à minha mãe Marily, ao meu irmão Amílcar e à minha babá Elvira, que suportaram o meu aprendizado. ![]() de Oliveira Revisão musical / Musical revision: Rodolfo Cardoso Copidesque e revisão/ Copyediting and proofreading: Nerval M. Projeto gráfico, composição e diagramação !Design, typesetting and layout: Júlio César P. 10-0329.Ĭapa / Cover: Bruno Liberati / Ege u Laus A ilu stração foi in sp irada na pintura de Neil Fuji ta para o LP Time out de David Brubeck The illustmtion was inspired on Neil Fujita.'s pa.intingfor Da.ve Brubeck's Time out LP Texto em português com tradução paralela em inglês ISBN 978-85-7 407-275-3 1. ![]() CATALOGAÇÃO NA FONTE SINDICATO NACIONAL DOS EDITORES DE LIVROS, RJ 8672b Bolão, Oscar, 1954Batuque é um privilégio : a percussão na música do Rio de Janeiro para músicos, arranjadores e compositores = Batuque is a privilege : percussion in the music of Rio de Janeiro for musicians, arrangers and composers I Oscar Bolão [tradução do texto: Larry Crook). Todos os direitos autorais reservados para todos os países. Irmãos Vitale S/A Indústria e Comércio Rua França Pinto, 42 - Vila Mariana - São PauloĬEP. Batuque Js a J>dvilege - J>ercussion in the music of Rio de JaneiroĪ percussão na música do Rio de Janeiro Para músicos, arranjadores e compositores For musicians, arrangers and composers ![]() I woke up, made a quick sketch, and went back to sleep.” This same element of bizarre juxtaposition is at the core of the humor in this cartoon by New Yorker cartoonist Joe Dator, who says: “This cartoon appeared whole in my dream. I took a bath in melted butter and forgot to dry off I accidentally got my boyfriend pregnant I was in bed with a monkey doing the newspaper crosswords The comic potential of these are obvious in a few of the chapter headings from his book The Night of Your Life: The third element in dreams that strike our waking mind as funny - the bizarre juxtaposition of incongruous elements - inspired graphic artist Jesse Reklaw to produce two graphic novels that portray the dreams of other people, as they describe them. ©Sam Cobean/The New Yorker Collection 2012 While some of these represented daydreams, others did refer to nighttime dreams, such the one below: “ frame of a husband ending up “in the dog house.”Ī second source of humor - the covert expression of forbidden impulses, whether sexual, hostile, or regressively dependent - is represented by cartoonists in the “dream bubble.” Sam Cobean’s captionless 1940s New Yorker cartoons are often credited as the first dream bubbles. Of Freud’s many punlike examples, the only one robust in a translation from German to English featured a sexual encounter in a car interpreted as “autoeroticism.” Many of the amusing dream images I’ve encountered are literalizations of idioms - a family’s “black sheep,” an ambivalent dreamer “straddling the fence,” and another finding herself and her husband “on the rocks.” A century ago, Winsor McKay’s famous cartoon strips, “Dreams of the Rarebit Fiend” (so named as the cheesy dish was said to produce weird dreams), illustrated idioms showing up in dreams - as in this “Rarebit. Bizarre juxtapositions: what our dreaming mind fails to label as “not making sense” will strike our waking sensibilities as funny.įreud wrote in The Interpretation of Dreams of “visual representation”: the tendency of a verbal phrase to be represented by an image. The emergence of forbidden impulses: the sex and aggression that escape sleep’s indolent censor are fuel for humor, andģ. Puns: language use drops in dreams, but the sound of words plays a larger role relative to meaning,Ģ. There are not all that many funny dreams, but at least three elements general to dream creativity can benefit cartooning:ġ. ©Robert Mankoff/The New Yorker Collection 2012 (More on other forms of dream creativity can be found in my talk at TEDxKnoxville.) I realized this was one area of nocturnal creativity I hadn’t covered at all. ![]() It contained the example below example–straight from a dream, and a fascinating description of how cartoons can originate in dreams. But a year after my book, The Committee of Sleep, came out describing art, fiction, scientific inventions arriving in dreams, Bob Mankoff, The New Yorker’s cartoon editor, published The Naked Cartoonist. I’ve spent more than a decade researching dreams and creativity. I want to tell TED readers a bit about using dreams for cartooning and then send you over there to target them! I have a blog post of my own over at the New Yorker Cartoon Desk this week challenging readers to dream up–literally–captions for this week’s contest. While The New Yorker hasn’t announced the finalists yet for contest #336 (finalists will appear online June 11), the entry posted by TED speaker Roger Ebert on his own blog gives a taste of what to expect: In early May, the image (supplied by cartoonist Harry Bliss) to be captioned was this: The New Yorker Cartoon Caption Contest targeted TED recently. In this post, she looks at the New Yorker Cartoon Caption Contest, which recently featured a cartoon involving what might be a TED speaker’s worst nightmare … It started when, over on New Yorker cartoon editor Bob Mankoff’s blog, she threw out a challenge: Can you (literally) dream up a great caption ? We asked for more: Guest blogger Deirdre Barrett is a psychologist who researches dreams and sleep - and explores how dreams can be used to unlock waking-world problems. I can also add page numbers to my A-Master. If I was to extend a single shape across the whole of the spread, the color would be applied to both pages of a spread automatically. I Copy > Paste the rectangle and place the pasted shape on the right-hand page of the Master.īy keeping the color in separate shapes on each page I can apply only the left- or right-hand page to a spread in my magazine. Using the Swatches panel (Window > Color > Swatches) I give the shape a black color fill. First, I take the Rectangle Tool (M) and drag onto the Master to create a rectangle that fills the entire left-hand page. You can only edit these elements on the Master, and they will all sit behind the page content, so try to focus on elements that make up the background and basic template of your page.įor the A-Master for this magazine I’m going to add background color, page numbers and running headers. Think about the elements that will remain consistent across a group of pages. UNLIMITED DOWNLOADS: 50 Million+ Fonts & Design Assets DOWNLOAD NOW This is a two-page Master as the document has been set up with facing pages clicking on either the left or right page of the Master will bring up the full spread on screen. To do this, I double-click on the A-Master icon in the Pages panel (Window > Pages). In this document, I want to create a Master that will add a few consistent elements to the pages of articles in the magazine. Let’s walk through the steps of editing an A-Master for a magzine, and look at how to add simple features like page numbers, running headers and background color. ![]() You can now edit the Master as you would a normal page. Masters are quick and simple to edit-simply double-click on one of the Master page icons in the Pages panel to bring it up on screen. It’s called, and by dragging this down onto a page icon in the panel below you can wipe the page of any applied Master. The Master page above the A-Master in the Pages panel is, in fact, not really a Master. The A-Master is automatically applied to all the pages in your new document, which means that anything you put onto the A-Master will show up on all pages of your document. One of these Masters is called, by default, the ‘ A-Master’, and depending on whether you’ve set the document up with single pages or facing spreads, will be made up of one or two pages. When you create a new document in InDesign, the software automatically creates two new Master pages for the document, which are visible at the top of the Pages panel ( Window > Pages). You can also add different Masters for index pages and contents pages, which may require different page numbering systems or headers. You might have one Master page for the opening page of a chapter, and another Master for the pages that sit within the chapter. A good example for when it would be appropriate to use multiple Master pages is when you’re designing a book that’s split into chapters. You can also create multiple Master pages, each with different design elements. Masters are indispensable when creating multi-page documents like magazines, books, reports and brochures, allowing you to add design elements across a number of specified pages, creating a sense of consistency and professionalism in your document. ![]() You can edit the Master, and add elements to it that you want to appear across multiple pages, such as page numbers, running headers and borders. Whatever you place onto the Master page will be visible on all the pages of your document that have the Master applied to them The basic principle of a Master page is this: |